IN SIMPLE WORDS:
You can download DLE-NTSC-Side1.mkv and its WAV audio file, both sourced directly from the original LaserDisc.
These are the highest-quality extracts available and can (and must) be used for any restoration work.
Because the quality of the original footage is limited, a restored version, DLE-NTSC-Restored.m2v with its OGG audio file is also available.
This edition has been enhanced to improve the overall quality and is fully compatible with Hypseus.
IF YOU WANT THE DETAILED OVERVIEW: đ
Dragon's Lair Limited Edition: https://mega.nz/folder/HoZSCL6S#fgXN5-FMnWTSd0vCUd8ETw
Dragon's Lair Limited Edition - Restored: https://mega.nz/folder/OlARAY4Q#cOzmwdxRxVe0SCRfKnWjtQ
đïž Frame and Duration Verification
File
Duration (s)
Frame Count
Frame Rate
DLE-NTSC-Side1.mkv
1853.318
55544
29.97 fps
DLE-NTSC-Restored.m2v
1853.318
55544
29.97 fps
File
Display Aspect Ratio
Sample Aspect Ratio
Active Pixels
Visible Image
DLE-NTSC-Side1.mkv
4:3 (â1.33)
352:413
760
Full analog scan captured
DLE-NTSC-Restored.m2v
4:3 (â1.33)
8:9
720
Same image, mathematically resized
UPDATE:
Removed the first 157 frames from DLE-NTSC-Restored.m2v.
The restored version now works correctly with Hypseus.
Make sure you include DLE-NTSC-Restored.ogg, as well as dle21.txt and lair.txt.
I captured the Dragonâs Lair Limited Edition (2002) LaserDisc directly to an uncompressed YUV4MPEG2 (.y4m) master using a high-quality capture chain.
The raw file header reads:
YUV4MPEG2 W760 H488 F30000:1001 It A352:413 C444p16 XCOLORRANGE=LIMITED
This means the footage was recorded at 760Ă488 resolution â the full NTSC active image, preserving the entire analog scan area beyond the standard 720Ă480.
The frame rate is 29.97 fps (30000/1001), interlaced top-field-first, exactly matching the LaserDiscâs NTSC cadence.
The most important detail is the C444p16 format, which indicates 4:4:4 chroma sampling at 16-bit precision per channel.
This means every pixel contains full color information with no chroma subsampling (unlike 4:2:2 or 4:2:0 formats).
While the original LaserDisc signal itself is effectively limited to about 4:2:2 color bandwidth, capturing in 4:4:4 ensures that no additional loss or rounding occurred during digitization.
I also used broadcast-safe limited range (16â235), consistent with NTSC standards, and retained the interlaced field structure, which keeps motion and transitions authentic to the original arcade timing.
This approach provides an archival-grade digital master, ideal for future restoration or color correction.
From this .y4m file, I later created lossless FFV1 and visually lossless MPEG-2 (.m2v) versions for compatibility and distribution.